Marking Section 1 and Section 2 Working notebook
Section 1 (20 marks) and Section 2 (20 marks)
Band 4 (16-20 marks)
Excellent response:
• Explanations given in the Working notebook evidence excellent skills in
creating and developing ideas to communicate meaning through devising.
• Evidence of a very sensitive and highly creative response to the stimulus.
• Evidence of full development and refinement of skills and the piece.
• Precise details are provided throughout.
• Structure and reasoning is logical and systematic.
• Responses make perceptive connections between dramatic theory and
practice.
Band 3 (11-15 marks)
Good response:
• Explanations given in the Working notebook evidence good skills in creating
and developing ideas to communicate meaning through devising.
• Evidence of a fully engaged response to the stimulus, demonstrating strong
creativity.
• Evidence of a good degree of development and refinement of skills and the
piece.
• A number of precise details are provided.
• Structure and reasoning is clear and consistent.
• Responses make considered connections between dramatic theory and
practice.
Band 2 (6-10 marks)
Reasonable response:
• Explanations given in the Working notebook evidence reasonable skills in
creating and developing ideas to communicate meaning through devising.
• Evidence of creative engagement with the stimulus.
• Evidence of some useful development and refinement of skills and the piece.
• Only some details are given and/or details may lack precision.
• Structure and reasoning is present but not always clear.
• Responses make some useful connections between dramatic theory and
practice.
Band 1 (1-5 marks)
Limited response:
• Explanations given in the Working notebook evidence limited skills in creating
and developing ideas to communicate meaning through devising.
• Evidence of a predictable response to the stimulus.
• Lack of evidence regarding development and refinement of skills.
• Details are rarely given and/or where details are given, are imprecise.
• There is little or no structure or reasoning present.
• Responses make only generalised connections between dramatic theory and
practice.
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